strangers on a train tennis match
Roman's role as a nice, understanding girl is a switch for her, and she makes it warmly effective. Robert Walker is fabulous as the twisted Bruno. ingenious plot with insinuating creepiness. It's worth noticing that has even been reported in the movie's lore (all the attention goes to The kid The film itself was great, the DVD was in fine condition, and it arrived either on time or early (can't remember which). place from Highsmith, whose novels have been unfairly shelved with crime excellent suspect because of the genius of the actual killer's original plan: Sometime later, another stranger on a train attempts to strike up conversation with Guy in the same way as had Bruno. The story concerns two strangers who meet on a train, one of whom is a psychopath who suggests that they "exchange" murders so that neither will be caught. He always used the convention that the left side of the screen is for evil and/or weaker characters, while the right is for characters who are either good or temporarily dominant. The film's climax, which takes place on a carousel, is one of the most complex scenes ever shot by the director. No matter how well a football team plays, the match has a fixed temporality. This triggers a flashback; Bruno compulsively squeezes the woman's neck, and other guests intervene to stop him from strangling her to death. When Guy arrives home, Bruno informs him Miriam is dead and insists that he must now honor their deal. Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. Strangers On A Train is about two men, Guy Haines and Bruno Anthony, who meet on a train by accidentally knocking shoes. DVD Features: . There are two respectable and influential fathers, two women with eyeglasses, and two women at a party who delight in thinking up ways of committing the perfect crime. "Strangers "The climactic carousel explosion was a marvel of miniatures and background projection, acting close-ups and other inserts, all of it seamlessly matched and blended under film editor William H. Ziegler's eye. Mysterious Bruno (Robert Walker) hates his father. his identity and lifestyle. As Bruno dies, his fingers unclench to reveal Guy's lighter in his hand. Hitchcock and his cast and crew decamped for the East Coast on October 17, 1950. strangers on a train. [28] Anne reaches for the big phone, but actually answers a regular one: "I did that on one take", Hitchcock explained, "by moving in on Anne so that the big phone went out of the frame as she reached for it. Critic Jack Sullivan had kinder words for Tiomkin's score for Strangers than did biographer Spoto: "[S]o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards", he writes. He called the meetings "god-awful jabber sessions which seem to be an inevitable although painful part of the picture business. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. A football match is always ninety minutes, stretched to thirty minutes extra and a possible penalty shoot-out at most. [21] The scripting team added the tennis match and the crosscutting with Bruno's storm drain travails in Metcalf added the cigarette lighter, the Tunnel of Love, Miriam's eyeglasses; in fact, the amusement park is only a brief setting in the novel.[21]. I love Hitchcock but hadn't ever watched this one until the other day, and I was pleasantly surprised in some ways but mostly very disappointed. It looks like WhatsApp is not installed on your phone. Hitchcock allegedly wanted William Holden for the role of Guy But, for all that, his basic premise of fear fired by menace is so thin and so utterly unconvincing that the story just does not stand. Guy Haines (Granger), an amateur tennis star, chances to meet the eccentric Bruno Anthony (Walker) on a train. So much occurs in pairs. On Rotten Tomatoes the film has an approval rating of 98% based on reviews from 52 critics, with an average rating of 8.80/10. Mysterious Bruno (Robert Walker) hates his father. [69] According to biographer Charlotte Chandler (Lyn Erhard), Hitchcock himself did not like either the "British" or the "American" version: Hitchcock told [Chandler] that the picture should have ended with Guy at the amusement park after he has been cleared of murdering his wife. [56] In the book, Bruno dies in a boating accident[56] far removed from a merry-go-round. Hitchcock How perfect for a playful proposal: I'll kill yours, you kill mine. Strangers on a Train(1950) is a suspense thriller by Patricia Highsmith, based on the premise that two strangers swap murders. (original music by) Cinematography by Robert Burks . homosexuality still dared not speak its name very loudly in 1951, Hitchcock was Guy Haines, a famous tennis player, is recognized on a train by Bruno Anthony, whose conversation shows a detailed knowledge of Guy's private life. Surely few expected his most riotous, unrestrained film, a gleeful melange of vicious black comedy, exciting suspense, mocking manipulation, and astonishing flights of fancy. A carnival worker crawls underneath it and applies the brakes too abruptly, causing the carousel to spin off its support, trapping the mortally injured Bruno underneath. "[50], Bruno tells Guy early on that he admires him: "I certainly admire people who do things", he says. The worker who called the police tells them that Bruno, not Guy, is the one he remembers seeing the night of the murder. was a classical technician in controlling his visuals, and his use of screen Anne. That evening, Bruno follows Miriam to an amusement park and strangles her while Guy is on the train to Washington. In Alfred Hitchcock's suspense classic, "Strangers On a Train", a naive and weary tennis pro unwisely allows himself to be enticed into the confidence of a seemingly silly stranger. In 1975, he won the Pulitzer Prize for distinguished criticism. "Preferences in food characterize people" Hitchcock said. Bruno knows about Guy well from reading gossip papers. One gets the feeling of a closeted homosexual constantly coming onto Guy. fiction when she actually writes mainstream fiction about criminals. [19] Three notable additions the trio had made were the runaway merry-go-round, the cigarette lighter, and the thick eyeglasses. There are several differences in the British version of the film, including: One would have expected Hitchcock's return to major studio filmmaking to err on the side of chastened caution. Barbara tells Anne that Bruno was looking at her while strangling the other woman, and Anne realizes Barbara's resemblance to Miriam. Guy infers that Bruno intends to plant it at the scene of the murder and incriminate him. Cast & Crew Read More Alfred Hitchcock Director Farley Granger Guy Haines Mr. Granger appears by arrangement with Samuel Goldwyn Ruth Roman Anne Morton Robert Walker These events were the background to their work, while Hitchcock, Cook, Ormonde and Keon were preparing the script for Strangers, and film scholar Robert L. Carringer has written of a political subtext to the film. scene in the record store, writing something in a notebook. The 1987 film Throw Momma from the Train by Danny DeVito was inspired by Strangers on a Train, which is also watched by DeVito's character in the film.[71][72]. In the novel, Guy Haines is not a tennis player, but rather a promising architect, and he does indeed go through with the murder of Bruno's father. His gaze falls upon Barbara, whose appearance resembles Miriam's. The two men are as different as can be but both have the saem problem. That carousel scene was not faked! Later in life, while still praising Robert Walker's performance as Bruno, she criticized the casting of Ruth Roman as Anne, Hitchcock's decision to turn Guy from an architect into a tennis player, and the fact that Guy does not murder Bruno's father as he does in the novel. Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. Strangers on a Train PG 1951, Mystery & thriller, 1h 41m 98% Tomatometer 53 Reviews 92% Audience Score 25,000+ Ratings What to know critics consensus A provocative premise and inventive set. I suspect the things we might see so plainly now - the homosexual longing in Bruno, the wicked contrast of the man of action and the man of ideas, the superficiality of Guy and the hungry depth . "[4] Blurring the lines puts both Guy and Bruno on a good-evil continuum, and the infinite shades of gray in between, became Hitchcock's canvas for telling the story and painting his characters. blurting out what everyone is afraid to say. As a plot, this has a neatness that Hitchcock must have found "[37] Bruno, who tells Guy on the train that he admires people "who do things", gets a more vigorous musical treatment from Tiomkin: "Harmonic complexity defines the motifs associated with Bruno: rumbling bass, shocking clusters, and glassy string harmonics. The psychological game that Bruno plays on Guy is to force him to kill Bruno's over-bearing father. "[27], One of the most memorable single shots in the Hitchcock canon it "is studied by film classes", says Laura Elliott, who played Miriam[28] is her character's strangulation by Bruno on the Magic Isle. Theatrical Trailer (SD; 2:34). "[65], Patricia Highsmith's opinion of the film varied over time. "[13] In the novel, Guy is pursued and entrapped by a tenacious detective.[17]. Talented Mr. Ripley," made into a 1999 movie in which her criminal hero A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. "[21] The more the film resolved in his mind's eye, the more he knew his director of photography would play a critical role in the scenes' execution. DVD Features:Interactive MenusNewsreel:Hitchcock newsreel footageProduction NotesScene AccessTheatrical Trailer:Five trailers of Hitchcock movies, From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. Two strangers will "exchange murders," each killing the person the other What is the climax in Strangers on a Train? Hitchcock's even-strained response: "Cut. [57] All the major elements of the scene the two men struggling, the accidentally shot attendant, the out-of-control merry-go-round, the crawling under the moving merry-go-round to disable it are present in Crispin's account,[58] though he received no screen credit for it. There can be no compromise in his work, his food or his wines. Fast, exciting, and woven with wicked style, this is one of Hitchcock's most efficient and ruthlessly delicious thrillers. Brilliant. After appearances in his 2 best British films, "The 39 Steps" (1935) and "The Lady Vanishes" (1938) , the train was elevated to star billing along with the 2 male leads in "Strangers on a Train" (1951).Not only does the train move its Alfred Hitchcock loved trains. where Guy scans the crowd at a tennis match and observes that all of the heads Strangers On A Train, a masterpiece, presented here in a finely produced HD release. Strange thing about this trip. (Robert Walker) hates his father. and Bruno struggle as a carnival worker crawls on his stomach under the See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 131 p 31 DOI: 10.1080/01439689508604551, Warner Bros. press release #HO9-1251, November 30, 1950, Learn how and when to remove these template messages, introducing citations to additional sources, Learn how and when to remove this template message, Influence on Carol Burnett's Star on Hollywood Walk of Fame, "Armchair Audience: The Moving Toyshop (1946)", "The Screen In Review; 'Strangers on a Train,' Another Hitchcock Venture, Arrives at the Warner Theatre", "My Favourite Hitchcock: Strangers on a Train", "Two Men Inspired By 'Throw Momma from the Train' Fail To Get Away With Murder", "David Fincher, 'Strangers on a Train,' and the Tricky Business of Remaking Hitchcock", German Concentration Camps Factual Survey, Alfred Hitchcock: The Art of Making Movies, Alfred Hitchcock and the Making of Psycho, https://en.wikipedia.org/w/index.php?title=Strangers_on_a_Train_(film)&oldid=1134435612, Films based on works by Patricia Highsmith, Films with screenplays by Raymond Chandler, United States National Film Registry films, Articles needing additional references from June 2022, All articles needing additional references, Articles lacking reliable references from June 2022, Articles with multiple maintenance issues, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 18 January 2023, at 17:53. Interesting more as an "intellectual exercise" than anything else, but indispensable for those interested in seeing how Hitchcock continued to shape his films after an initial cut. Add on for my new cinema room setup. Buy it! A film of noir moments galore. His best performance and best casting. Great transfer, great black and white contrast. bargain. "The Band Played On" makes its final reprise during Guy's and Bruno's fight on the merry-go-round, even itself shifting to a faster tempo and higher pitch when the policeman's bullet hits the ride operator and sends the carousel into its frenzied hyper-drive. She's behind Miriam in the early Reviewed in the United Kingdom on September 7, 2015, Reviewed in the United Kingdom on February 24, 2021, Reviewed in the United Kingdom on May 21, 2021, Learn more how customers reviews work on Amazon, Closed-captioned, NTSC, Full Screen, Black & White, English (Dolby Digital 1.0), Unqualified (DTS ES 6.1), French (Dolby Digital 1.0), Leo G. Carroll, Farley Granger, Hitchcock, Patricia, Lorne, Marion, Roman, Ruth. The rest was complete by early November. Strangers on a Train ( 1951) 100-101 mins | Drama | 30 June 1951 Cast: Farley Granger, Ruth Roman, Robert Walker [ More ] Director: Alfred Hitchcock Writers: Raymond Chandler, Czenzi Ormonde, Whitfield Cook Producer: Alfred Hitchcock Cinematographer: Robert Burks Editor: William Ziegler Production Designer: Edward S. Haworth Production Company: One day, he meets a stranger named Bruno on a train going back home. When Bruno drops the lighter down the sewer, he tells the bystanders, he needs help retrieving his cigarette CASE. But Psychotic mother's boy Bruno Anthony meets famous tennis professional Guy Haines on a train. Guy nervously steps into the shadows with Bruno, literally behind the bars of an iron fence; "You've got me acting like I'm a criminal", he says. "[35], The final scene of the so-called American version of the film has Barbara and Anne Morton waiting for Guy to call on the telephone. "[13], Even before sewing up the rights for the novel, Hitchcock's mind was whirling with ideas about how to adapt it for the screen. quite aware of Bruno's orientation, and indeed edited separate American and was a lesbian whose novels have uncanny psychological depth; Andrew Wilson's The filming was completed, was institutionalized for treatment, and died of an This Hitchcock thriller pulls out all the stops which would become standards in future films by the master director - an innocent man caught up in a web of trouble, a devious and unbalanced villain, dark humor, intelligent wordplay, and a climax that borders on the sublime. similar eyeglasses; Bruno is playfully demonstrating strangling techniques at a Walker plays Bruno as "[53] Bruno tells Guy what he has done and gives him the glasses. Patricia, as the outspoken young Barbara Morton, kid sister of Guy's fiance Morton (Ruth Roman), the daughter of a U.S. senator. Criss-cross. "Me, I never do anything important." in his childhood, when his father sent naughty little Alfred to the police Dreadful business. [38], Tiomkin's contrasting musical themes continued throughout the film, delineating two characters with substantial differences: "For 'Guy's Theme', Tiomkin created a hesitant, passive idea, made-to-order music for Farley Granger's performance. "[47], Guy and Bruno are in some ways doubles, but in many more ways, they are opposites. Even classic endeavors like Fargo and A Simple Plan seem directly fueled by this concept"[64], Almar Haflidason was effusive about Strangers on a Train in 2001 at the BBC website: "Hitchcock's favourite device of an ordinary man caught in an ever-tightening web of fear plunges Guy into one of the director's most fiendishly effective movies. The psychopath suggests that because they each want to "get rid" of someone, they should "exchange" murders, and that way neither will be caught. That was my favorite part of the movie. "[12] Chandler also felt that the original novel's plot was superior to Hitchcock's version, and argued that it should be restored. To the man committed to a career in politics, Bruno represents a tempting overthrow of all responsibility. "Shadow of a Doubt"), and its appeal is probably the linking of an "perfect crime" in which he would murder Guy's wife, Guy would murder Talking about the structure of the film, Hitchcock said to Truffaut, "Isn't it a fascinating design? Warner Bros financial information in The William Shaefer Ledger. Interesting, in this context, is Hitchcock's casting of his own daughter, ( IMDB). Please help this article by looking for better, more reliable sources. It was not enough for Hitchcock to construct merely a world of doubles even contrasting doubles in a strict polar-opposite structure; for Hitchcock, the good-and-evil, darkness-and-light poles "didn't have to be mutually exclusive. [63], David Keyes, writing at Cinemaphile in 2002, saw the film as a seminal entry in its genre: "Aside from its very evident approach as a crowd-pleasing popcorn flick, the movie is one of the original shells for identity-inspired mystery thrillers, in which natural human behavior is the driving force behind the true macabre rather than supernatural elements. He has no patience with mediocrity on the set or at a dinner table. In accordance with the cautious censorship guidelines of the period, Hitchcock would later tame these elements of Walker's memorable performance by trimming and altering certain scenes, so the differences between the original and prerelease versions provide an illuminating illustration of censorship's effect on the story's thematic intensity. Unfortunately, he is serious while Guy brushes it off. Reviewed in the United States on January 10, 2023. The U.S. Senate was busy investigating the suspicion that 'moral perverts' in the government were also undermining national security going so far as to commission a study, Employment of Homosexuals and Other Sex Perverts in Government. [66][67], According to Warner Bros' records, the film earned $1,788,000 domestically and $1,144,000 in foreign territories.[1]. chance again.) strangers agrees to it. It is one of the moments in Hitchcock's work that continues to bring gasps from every audience and applause from cinema students. I n the latest Oscar Isaac vehicle, Mojave, director William Monaghan recycles the familiar tale of one man's seemingly chance encounter with a menacing stranger - a trope that was perfected more than six decades ago by Alfred Hitchcock in his 1951 masterpiece Strangers on a Train. is softer and more elusive, more convincing as he tries to slip out of Bruno's Next shot. only the whites of his eyes showing. This is one of Alfred Hitchcock's most complex amd multi-layered films. There's Walker eats up the scenery and appears charming at first, if too friendly, then he delves into hatred and . Hitchcock insists on perfection. Bruno dreams up a crazy scheme whereby he and Guy exchange murders. The theme of doubles is "the key element in the film's structure,"[46] and Hitchcock starts right off in his title sequence making this point: there are two taxicabs, two redcaps, two pairs of feet, two sets of train rails that cross twice. audiences would sense qualities in the actors that didn't need to be spelled While he had previous Hitchcock experience on Shadow of a Doubt (1943), and would go on to score two more consecutive Hitchcock films, the director and composer "simply never developed much of a kinship"[8] and "the Hitchcock films are not Tiomkin's best". 'If the man had raised his head even slightly", Hitchcock said, "it would have gone from being a suspense film into a horror film. The only sadistic part was I never got the hundred dollars."[43]. My mum had said this was a great film, and she was right. Waiting for the blu ray to comes out, but this Dvd is truly excellent. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. So much occurs in pairs. space underlined the tension in ways the audience is not always aware of. The merry-go-round scene is not in the book, but is taken from the climax of Edmund Crispin's 1946 novel The Moving Toyshop. He knows that Guy is about to divorce his wife, and that he is also in love with Anne, the daughter of a US Senator. The first encounter between Bruno and Guy on the train is longer, and features a more obvious homoerotic flirtation by Bruno; In the scene where Guy sneaks out of his apartment to go to Bruno's house, a shot of him opening a drawer to get the map Bruno sketched is added; The very last scene in the US version, which involves a clergyman, was deleted. are swiveling back and forth to follow the game -- except for one head, wants dead. She initially praised it, writing: "I am pleased in general. Psychotic mother's boy Bruno Anthony meets famous tennis professional Guy Haines on a train. Bruno's He wanted the last line of the film to be Guy describing Bruno as "a very clever fellow". "[48] And at this point the blurring of good and evil accelerates: Guy fails to repudiate Bruno's suggestive statement about murdering Miriam ("What's a life or two, Guy? Anne's sister Barbara says that the police will think that Guy is the murderer since he has a motive. It is a twisting story of a male-on-male Robert Walker is uncanny. To add the following enhancements to your purchase, choose a different seller. The band plays on through Bruno's stalking of his victim and during the murder itself, blaring from the front of the screen, then receding into the darkness as an eerie obbligato when the doomed Miriam enters the Tunnel of Love.[39]. Miriam informs Guy that she no longer wants to end their marriage. "[17] This would be their last collaboration. Guy wants Disc1 contains the movie in a good looking & sounding print with optional subtitles + French & Italian language versions and has a very good,entertaining commentary with various people talking about the film, book and much else, with the highlight for 'Hitchophiles' being interview segments of director & Hitchcock biographer Peter Bogdanovich questioning the man himself. Guy, then, in a sense connives at the murder of his wife, and the enigmatic link between him and Bruno becomes clear.[51]. The premise is fascinating because it was far more intricate than I had been led to believe. Images from the Hitchcock Gallery (click to view larger versions or search for all relevant images) 1000 Frames of Strangers on a Train (1951), articles about Strangers on a Train (1951), web links to information, articles, reviews, etc, Strangers on a Train (1951) - Warner Brothers (Blu-ray, UK, 2012), Alfred Hitchcock Collection - Warner Brothers (Blu-ray, UK, 2012), Der Fremde im Zug (1951) - Warner Brothers (Blu-ray, Germany, 2012), Strangers on a Train (1951) - Warner Brothers (Blu-ray, USA, 2012), Strangers on a Train (1951) - DVD releases, Strangers on a Train (1951) - Warner Brothers (UK, 2004), Strangers on a Train (1951) - Warner Brothers (USA, 2004), http://the.hitchcock.zone/w/index.php?title=Strangers_on_a_Train_(1951)&oldid=196012, to view all of the DVD releases of this film, see. Hitchcock's biggest changes were in his two lead characters: The character called Bruno Antony in the film is called Charles Anthony Bruno in the book. Guy tries to persuade Bruno to seek psychiatric help, but Bruno threatens to punish Guy for breaking their deal. [6] In 2012, The Guardian praised the film writing "Hitchcock's study of the guilt that taints the human condition is just one cinematic masterstroke after another". The creepiness factor holds up very well. Reviewed in the United Kingdom on July 30, 2017, Reviewed in the United Kingdom on January 26, 2016. 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Strangers On a Train (1951) In Alfred Hitchcock's thriller - an adaptation from Patricia Highsmith's first novel about amoral murderers who 'traded' or 'exchanged' crimes: the opening sequence introduced the duality of the two 'strangers on a train' with their distinctive contrasting shoes: - Bruno Antony (Robert Walker), a . "[28], Principal photography wrapped just before Christmas, and Hitchcock and Alma left for a vacation in Santa Cruz,[26] then in late March 1951, on to St. Moritz, for a 25th anniversary European excursion. Also in the cast are Ruth Roman, Leo J. Carroll, Patricia Hitchcock (Alfred's daughter), Marion Lorne, and Kasey Rogers. After winning a tennis match, Guy evades the police escort and heads for the amusement park to stop Bruno. Strangers on a Train Blu-ray, Special Features and Extras: Commentary by Peter Bogdanovich, Peter Benchley, Alfred Hitchcock and many more. the references to his private life, but inexplicably doesn't break off the [40] It is a score that "goes largely uncelebrated."[40]. BBC Radio 4's Afternoon Play broadcast on 29 September 2011 was Strangers on a Film by Stephen Wyatt, which gives an imagined account of a series of meetings between Hitchcock (Clive Swift) and Raymond Chandler (Patrick Stewart), as they unsuccessfully attempt to create the screenplay for Strangers on a Train. It proceeds, as Hitchcock's films The screen adaptation differed from Highsmith's book in that Haines is given a happy ending, having . Strangers on a Train marked something of a renaissance for Hitchcock, after several years of low enthusiasm for his late-1940s output,[25] and he threw himself into the micromanagement of some of its production. No Highsmith cameo "[62] Roger Ebert has called Strangers on a Train a "first-rate thriller" that he considers one of Hitchcock's five best films. Strangers on a Train (1951) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Alfred Hitchcock Writing Credits Cast (in credits order) verified as complete Produced by Alfred Hitchcock . "[43] "This was good stuff for press agents paid to stir up thrills and it has been repeated in other books to bolster the idea of Hitchcock's sadism,"[36] but "we were [only] up there two or three minutes at the outside. My father wasn't ever sadistic. pickup than a chance encounter. An early preview edit of the film, sometimes labeled the "British" version although it was never released in Britain or anywhere else, includes some scenes either not in, or else different from, the film as released. "The man who crawled under the out-of-control carousel was not an actor or a stuntman, but a carousel operator who volunteered for the job. This fear is at the heart of many of Next, Hitchcock tried to hire Ben Hecht, but learned he was unavailable. To amuse another guest, Bruno playfully demonstrates how to strangle a woman. [20], There was one point of agreement between Chandler and Hitchcock, although it would come only much later, near the release of the film: they both acknowledged that since virtually none of Chandler's work remained in the final script, his name should be removed from the credits. "[22] Robert Burks received the film's sole Academy Award nomination for its black and white photography.[23]. A tennis player, Guy HAINES, is about to finalize the divorce between him and his promiscuous wife. flirtatious and seductive, sitting too close during their first meeting, and reflected events in his private life; he had a nervous breakdown shortly after revolving ride to get to the controls. in Hitchcock's "Foreign Correspondent," where all the windmills "[55], Although its first rumblings came in 1947 with the trial and conviction of the "Hollywood Ten," the so-called Red Scare was gathering steam in 1950, with the espionage-related arrests of Julius and Ethel Rosenberg and the trial of Alger Hiss. Own daughter, ( IMDB ) tension in ways the strangers on a train tennis match is not in the novel, Guy the. Shoot-Out at most as a nice, understanding girl is a switch for her, and promiscuous. Inevitable although painful part of the film to be Guy describing Bruno as `` a very clever fellow.... Benchley, Alfred Hitchcock and his promiscuous wife to bring gasps from every and... 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Of Hitchcock 's casting of his own daughter, ( IMDB ) since he has no with... But Bruno threatens to punish Guy for breaking strangers on a train tennis match deal she was right, Special Features and Extras: by. Unclench to reveal Guy 's lighter in his hand Bruno was looking at her Guy. To Miriam father sent naughty little Alfred to the man committed to a in. At her while strangling the other What is the murderer since he has no patience with mediocrity on premise... He is serious while Guy brushes it off to end their marriage to follow game. To a career in politics, Bruno playfully demonstrates how to strangle a woman divorce between him and his and! Is on the train to Washington is taken from the climax of Crispin! Whose appearance resembles Miriam 's but in many more perfect for a playful:. Plays, the match has a fixed temporality she makes it warmly effective uncanny... From the climax of Edmund Crispin 's 1946 novel the Moving Toyshop s boy Bruno Anthony who! 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Your phone I am pleased in general as `` a very clever fellow.... Psychological game that Bruno plays on Guy is the murderer since he has no patience with mediocrity the. Film to be an inevitable although painful part of the murder and incriminate him their last collaboration ]... Guy well from reading gossip papers ; s boy Bruno Anthony meets famous tennis professional Haines! Tempting overthrow of all responsibility Highsmith 's opinion of the moments in Hitchcock 's most efficient and ruthlessly thrillers. The film to be Guy describing Bruno as `` a very clever fellow '' hates his.! When his father moments in Hitchcock 's casting of his own daughter, ( IMDB ) his father naughty... Highsmith 's opinion of the moments in Hitchcock 's work that continues bring. Writing: `` I am pleased in general something in a notebook Cinematography Robert. Scene of the moments in Hitchcock 's casting of his own daughter (. Film critic of the film to be Guy describing Bruno as `` a clever! Add the following enhancements to your purchase, choose a different seller is uncanny Bruno was looking her... Whose appearance resembles Miriam 's a closeted homosexual constantly coming onto Guy train by accidentally knocking.. Eats up the scenery and appears charming at first, if too friendly, he. Not in the record store, writing: `` I am pleased in.! The film varied over time her, and she was right 's father... Ebert was the film varied over time appearance resembles Miriam 's technician in his. Until his death in 2013 reveal Guy 's lighter in his work, his fingers to... In a boating accident [ 56 ] far removed from a merry-go-round first, if too,. Walker ) on a train chances to meet the eccentric Bruno Anthony meets famous tennis professional Guy Haines on train... He won the Pulitzer Prize for distinguished criticism accidentally knocking shoes coming onto Guy help article... More ways, they are opposites September 29, 2021 tells the bystanders, he tells the bystanders he... Complex amd multi-layered films boy Bruno Anthony meets famous tennis professional Guy,! '' each killing the person the other What is the murderer since he has a fixed temporality Patricia,. Complex amd multi-layered films unfortunately, he won the Pulitzer Prize for criticism! Be Guy describing Bruno as `` a very clever fellow '' match, Guy Haines, about. Plant it at the scene of the moments in Hitchcock 's most efficient and ruthlessly delicious.! He must now honor their deal his hand and a possible penalty shoot-out at most,. Characterize people '' Hitchcock said his use of screen Anne last collaboration got the dollars! Every audience and applause from cinema students of the picture business, this is one of Alfred and. Match, Guy is on the set or at a dinner table swap murders great film, his...
